Sunday, February 17, 2013
FLASH COONEY AND THE DEANS OF DISCIPLINE –LITTLE DEBBY
You know I really hate those old guys who say, “back in my
day…” or “kids today have got it easy” but you know what? I’ve become one of those old guys and let me
tell you, “kids today HAVE got it easy!” This blog itself is proof of
that. We’re giving them the knowledge,
we’re sharing the music, the meaning, we’re helping the ungrateful little
buggers out and they don’t even have to leave their chair! It’s all at their fingertips now, the music,
the words, they can download songs, albums, movies, books, without even having
to get off their arses.
But it’s not just online either, the whole culture of
“underground” is disappearing, long usurped by marketing managers, advertising
and the quick buck chase of corporate shysters.
I mean John Waters does speaking tours now, people line up for their
photo opportunity and his movies are mainstream. Burroughs and Ginsberg and
Kerouac are t-shirt idols and bumper stickers, punk rock is just another genre
now, marketed to the kids along with tattoos, body piercing and coloured hair,
no longer for outsiders or outlaws, every 20 something schmuck has a full
sleeve tattoo, bluebirds on their neck and mama across their back. How do you rebel now? There are no more discoveries for the kids,
no more moments of “wow, who the hell are they?” it’s all marketed to them now,
by demographic and location, the full back catalogue available online. They are fooled into thinking they are
individuals just like the other 1000 “friends” they have online who “liked” the
same page. They think they are making great discoveries without realising they’re
being manipulated, marketed to and pushed into the right boxes. Anarchy until lunchtime when they use that
voucher they got with the download to buy lunch at that cool new “underground”
café in the mall. So yeah, they have got
it easy but it’s kind of sad as well.
In
a world where garage sale bargains rarely exist anymore because people think
e-bay counts as a legitimate price guide, the thrill of making their own
discoveries, of finding some obscure album that looks kind of cool just because
of the cover or finding old paperbacks for a buck at a junk shop or uncovering
old Crawdaddy mags in a box of crap, taking a chance on a 45 ‘cos the label
looks interesting, those joys, that fun is fast disappearing for today’s
kids.
They just go online, check to see
if it’s ‘hip’ to like this band or author, make sure the cool points add up for
owning a copy of the album or the book and walk away from the chance to develop
their own taste, the chance to make their own discoveries, their own
mistakes.
I grew up in a town of 500 or
so people, depending on how the football team was going, two tv channels, am
radio, no computers, no internet, (hell computers were a mythical machine that
were bigger than your bedroom and only seen on science programs) – I found out
about music by sticking one ear to the radio, by pouring through the few rock
mags I could get my hands on, by going through my parents’ record
collection and their friends and my
friends’ older brother’s and sister’s collections, by hanging around the edges
at parties and listening to conversation, by scouring liner notes, finding
things by pure luck and good fortune, by taking chances, stumbling onto songs,
writers, ideas, searching for touchstones and gateways that would lead to other
places, other songs and sure that leaves gaps in your musical education but
sooner or later you find the things YOU need, the songs that mean something to
YOU, the riff that sends a shiver down yr spine, the tune that takes you
somewhere else, away from the shitty little box bedroom and out there somewhere
else and when that happens you don’t care who their guitar teacher was or when
the lead singer was first potty trained, you just care that the song means
something to YOU and you alone. I didn’t wait for the t-shirt, I bought the
records, I bluffed my way through, gradually building up knowledge, trusting my
own instincts, enjoying the trash amongst the treasure. I wasn’t worried about ‘cool’ – hell I was
never gonna be cool, I was a skinny, redheaded mongrel kid who couldn’t play
sports or fight, who lived in a dream world of comics and music and books, cool
was never an option but I didn’t care cos I had songs, records, music pounding
out of the shitty little cassette player in my room, the plastic record player
on the bookshelf, I found my own way out.
Sadly the kids today ain’t ever gonna find their own way… unless of
course we help them. I’m still not sure if I’m doing the right
thing or the wrong thing here, it does seem a little hypocritical since they’re
still in their bloody chairs looking at a screen but hell, if they find the
Deans Of Discipline on line they’re doing good anyway! I found my copy in a record shop in New
Zealand over a dozen years ago and I ain’t ever seen another! Get out of the house kids, go searching at
your local op shop, take a chance on a
beat up record with a name you don’t recognise, buy a book, ask your parents if
they still have their records out in the shed, do something but don’t get
complacent. We ain’t gonna always be
here to tell you what’s what.
Monday, February 11, 2013
reasons to be cheerful part four
Gary Glitter - Come
On, Come In, Get on
Now I ain’t defending this pedophile bastard, not at all but
after years of just refusing to listen to his music, of bad taste jokes and
pretending he just don’t exist I’ve come to realise something… Gary Glitter
ain’t the bad guy, Paul Gadd (his real moniker) is. See the way I see it, Paul Gadd is a rock
spider, Gary Glitter is a rock star. I
wouldn’t give Paul Gadd the time of day, the bastard should be castrated and
left to wallow in his own excrement in a small dark hole but Gary Glitter, the
artist, the singer, the rockstar, well I’m gonna crank up those loud as fuck
old school rock and roll songs again and sing along to the hits and
misses!
A touchstone to my youth, Touch
Me was one of the first albums I ever owned (on cassette too) – Christmas 1974
and my parents had given me a cassette player of my very own just a week prior,
my birthday falling just eight days before Christmas and Gary was one of my
Christmas presents. It was perfect
fodder for a preteen boy on the cusp of teenage fears and pubic hair burst
growth! A booming rock and roll
soundtrack complete with handclaps, singalongs, loud guitars and a band that
was versed in the art of rock and fucking roll - with two drummers holding down the beat, the
horn section swinging like real rock used to be and songs with more hooks than
a Japanese Whaler, you couldn’t go wrong with this baby turned up loud.
Glitter was corny, he was dumb, he looked
ridiculous at times but he was fun, that was the thing, he put the fun back
into rock and roll. And if he could do
it, hell anyone could. He gave us all
hope, if this middle aged silly bastard in a too tight alfoil suit could be a
rock star, a heart throb, then hell, anything was possible. This tape was played so often during my youth
that it eventually stretched beyond rescue and was thrown in the back of that
drawer you have for things you can’t quite throw away though you know they
ain’t ever getting repaired, ain’t ever gonna be used again. Besides, I’d moved on, punk and noise and all
the other growed up rock had taken over.
I’d put aside the dreams of the alfoil suit and the rock and roll
lifestyle for the ripped shirt and dog collar existence of sid and nancy, the
deadboys before drifting into comics and words and drinking like Bukowski or at
least a piss poor attempt at it. This album was part of my youth, those songs were the
soundtrack to walking the streets at night, dreaming of bigger and better
things. I’m still chasing those dreams so I need that soundtrack and no rock
spider scum is coming ‘tween me and my music.
That’s the trouble with music and with musicians, how do we separate the
artist from the song, from the memories we have, the emotions that songs can
trigger within us. Should we stop
listening to Glitter’s songs because of his behavior twenty years later? Should
we stop listening to Ike and Tina Turner because he was a wife beating
arsehole? Chuck Berry? Elvis Presley’s drugged out fat arse? The White Album
because Chuckles Manson misread its intentions?
I ain’t defending any of these people but I ain’t gonna stop listening to their songs either (except for the Beatles cos they are over rated) – I know the difference between the singer and the song, between some three minute pop song and the predilections of some perverted fucker who needs a soldering iron between the legs, and I’m claiming my youth back, I’ve been flogging this (downloaded) album and this song to death for the last month and it ain’t faded yet, it’s still gloriously over the top, swinging, fist pumping, singalong, glorious rock and roll! And we all need some of that in this age of plastic, computer simulated, mass marketed three minute wonders. Gimme back my music you bastards, I want to hear it loud and distorted and proud. Might even try and find that tape and see if I can fix it up.
I ain’t defending any of these people but I ain’t gonna stop listening to their songs either (except for the Beatles cos they are over rated) – I know the difference between the singer and the song, between some three minute pop song and the predilections of some perverted fucker who needs a soldering iron between the legs, and I’m claiming my youth back, I’ve been flogging this (downloaded) album and this song to death for the last month and it ain’t faded yet, it’s still gloriously over the top, swinging, fist pumping, singalong, glorious rock and roll! And we all need some of that in this age of plastic, computer simulated, mass marketed three minute wonders. Gimme back my music you bastards, I want to hear it loud and distorted and proud. Might even try and find that tape and see if I can fix it up.